Biren De (1926-2011) was a seminal figure in modern Indian art, recognized for pioneering a visual language that merged international abstraction with Neo-Tantric philosophy. He formally studied fine art at the Government College of Arts and Crafts, Calcutta (1944–1949), later becoming a lecturer at the College of Art, New Delhi (1952-63). His early career was defined by figurative portraiture influenced by European Post Impressionism, however, his trajectory shifted following a Fulbright Scholarship in New York (1959). His immersion into global abstraction acted as a catalyst, where De began to deconstruct the physical subject in favor of metaphysical exploration. De’s embrace of Tantric principles was reflected in his work, using geometric forms and motifs such as a wheel, sun, or mandalas to depict the union of divine masculine and female energies (Purusha and Prakriti). His compositions are characterized by a luminous center, a focal point alluding to the origin of the universe. Through a resonant palette of reds, greens, and blues, his circular, mandala-like compositions seek to awaken the psyche and guide the viewer toward a state of heightened consciousness. De’s work transcends traditional abstraction, offering a peaceful, meditative platform that invites inward reflection and subconscious awareness. A two-time recipient of the Lalit Kala Akademi National Award, De represented India at the Venice Biennale (1962) and the São Paulo Biennale (1961). His work is held in distinguished public collections, including the National Gallery of Modern Art (NGMA), New Delhi; the Berlin State Museum; and the National Museum, Prague.